Tiffany Lambert
Tiffany is a curator, educator, and writer. She has served as assistant director of exhibitions at Columbia University’s Graduate School of Architecture, Planning, and Preservation, as curatorial assistant at Cooper Hewitt, Smithsonian Design Museum, and as the managing editor of Pin-Up. Her writing as been featured in The Architectural Review, Artsy, Cultured, Disegno, Domus, Finnish Architectural Review, Metropolis, Surface, and The New York Times, among others.
Tiffany Lambert’s Articles
At New York’s Lisson Gallery, an unfettered approach to sculpture is the driving force behind a new group exhibition. OnThe Odds Are Good, The Goods Are Odd” presents the work of 11 groundbreaking New York City–based contemporary artists. In the exhibition, sculptures are a m
In his 1982 book Megatrends: Ten New Directions Transforming Our Lives, the late futurist John Naisbitt predicted that people employed by technology companies would crave real-world social c
Morning prayer. Children playing. Cooking dinner. Singing a lullaby. The quotidian sounds that form our everyday experiemahallas—tight-knit, multi-generational living quarters that feature shared amenities including kitchens and gardens—that are beMahalla: Urban Rural Living,” the pavilion of the Republic of Uzbekistan at the 17th Venice Architecture Biennale, open today through November 21.
Kintsugi, the time-honored Japanese practice of using powdered precious metals to repair broken ceramics, has steadily gained poKintsugi: The Poetic Mend (Bloomsbury). In it, she interviews kintsugi masters, details various techniques, and considers potential grounds for the custom’s development. Here, Kemske discusskintsugi’s origins and why it resonates so strongly with people today.
For Shizuko Yoshikuni and Manuel Kuschnig, the Japanese-Austrian couple behind the Berlin-based olfactory design studio Aoiro, scent is essential to the success of any environment, adding an important experiential quality that goes beyond sight felt, not simply smelled.
Debates about whether encyclopedic museums—institutions that collect and contextualize cultural artifacts across time an—should act as more than mere repositories date back decades, but have taken on a new urgency as of late. Now, institutioEp. 12 of our At a Distance podcast), tackled these topics through interviews with nearly 30 leaders, and compiled the conversations in a new book, Under Discussion: The Encyclopedic Museum (Getty Publications). We recently spoke with Grau about the future of institutions and the layered, ever-evolving narra What central issues do encyclopedic museums face today, and what prompted you to explore them?
Artist Eric Oglander gravitates toward materials that collapse time and space, and holds an unwavering faith in the powetihngs.com, and plans to open a brick-and-mortar shop of the same name in the Ridgewood neighborhood of Queens later this year). IP.E.,” is on view through May 15.
In a year so necessarily and intensely domestic, it’s especially easy to appreciate the beauty and singularity of somethki-oke, wooden buckets traditionally used in Japanese onsen that have found alternative uses throughout the world, such as stoLes Atelier Courbet.) A seventh-generation master woodworker and artist, the elder Nakagawa, Kiyotsugu, and his son, Shuji, have collaborat
Because of its ubiquity, it’s tempting to describe Emeco’s iconic Navy Chair, designed in 1944, as basic. But that would
East Fork imbues traditional clay tableware with a sense of delight, resulting in pieces that are instantly recognizable. The commonth)—while its expansion into the lifestyle realm, with online recipes and carefully culled pantry items, such as black gar Your products often immediately sell out. A few months ago, an article in the New York Post called your passionate fans the “new potheads.” What makes East Fork’s pieces so covetable?
The mysteries surrounding our olfactory systems have been the focus of Philadelphia’s Monell Chemical Senses Center since it opened, in 1968, more than 20 years before the discovery of the odorant receptors that we use to perceive scencreating and administering smell tests as soon as olfactory impairment emerged as a primary symptom for the novel coronavirus. We recently asked Dr. Dalton ho
In 2019, Madrid-based designer Jorge Penadés founded Extraperlo, a nonprofit exhibition platform for unorthodox work andCurating Curators,” on view Feb. 18–20 at Penadés’s warehouse-like studio as part of this month’s Madrid Design Festival, upends the conv
Textile designer Anni Albers, who was born in Berlin at the turn of the 20th century, brought a modernist touch and expe“In a Slow Manner,” the first presentation at Paris’s Maison du Danemark since it completed an extensive renovation. Opening Feb. 3, the sh
Made on the Japanese island of Hokkaido, fragrances by Di Ser appeal to more than the nose alone. Perfumer Yasuyuki Shinohara founded the company, in 1999, as two interconnected ent
In 2014, Nick Quah launched Hot Pod, a newsletter focused on the art of podcasting. Today, the Malaysia native also serves as a podcast critic for New York magazine’s culture and entertainment website, Vulture, and hosts Servant of Pod with Nick Quah, a podcast on the craft and culture of podcasting. We recently phoned Quah at his home in Idaho for an off-the-cuff con Podcasts can adapt to a wide array of topics. Is flexibility their greatest asset?