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The Gentlewoman magazine featuring Margaret Atwood, on a red background next to a centimeter ruler.
Courtesy The Gentlewoman

This Mini Magazine Celebrates a Decade of The Gentlewoman

February 8, 2020
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When British editor Penny Martin and the creators of BUTT and Fantastic Man launched The Gentlewoman, in 2010, it boldly introduced a new type of “women’s magazine.” Redefining notions of female aspiration and personal style altogether, The Gentlewoman features candid profiles and in-depth interviews with figures across the age, cultural, and professional spectrum—everyone from Adele and Angela Lansbury to Simone Biles and Sofia Coppola. Now in its tenth year, the biannual publication with highbrow taste and a cult following is, cheekily, celebrating the major milestone with a mini-magazine. Measuring less than 3.5 inches tall, and nearly as thick as it is wide, it’s designed to fit in the palm of your hand, though the message is no less powerful for its size. Clocking in at 580 pages, it collects all The Gentlewoman’s cover stories to date, including those printed in its earliest (and now rare and sought-after) issues. At once understated and adorable, the handheld compendium is a delightful design object in itself—an ideal gift for the discerning modern woman, print-obsessive, and/or Irma Boom fan in your life. With its sleek white cover, it makes for a playful foil to the everyman’s little black book.

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Courtesy Tertulia

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Photo: John Cairns. Courtesy the Bodleian Libraries.

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Photo: Marco Galloway

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Courtesy Assouline

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Courtesy OMA

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Courtesy Slow Factory

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Lidewij Edelkoort. (Photo: Thirza Schaap)

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Courtesy the Chipstone Foundation

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Two collectors weighing their plastics. (Courtesy First Mile)

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Courtesy Grand Seiko

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Courtesy Chelsea Green Publishing

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Theaster Gates’s “Black Chapel,” the 2022 Serpentine Pavilion in London’s Kensington Gardens. (Photo: Iwan Baan. Courtesy Serpentine and Theaster Gates Studio)

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Installation view of “Objects in Sculpture.” (Courtesy Art Institute of Chicago)

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Courtesy Emeco

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J. Pierpont Morgan’s Library, viewed from 36th Street. (Photo: Brett Beyer. Courtesy the Morgan Library & Museum, New York)

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Ronan and Erwan Bouroullec’s Shaku chair for Koyori. (Photo: Hiroshi Iwasaki)

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(Photo: Delfino Sisto Legnani)

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Rebecca van Bergen. (Photo: Wesley Law)

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Balance (2022), a marble and onyx cabinet designed by OMA for Solid Nature’s “Monumental Wonders” exhibition at Alcova. (Courtesy Solid Nature)

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Manitoga house designed by Russel Wright

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One of Alvaro Catalán de Ocón’s Plastic Rivers rugs. (Courtesy Alvaro Catalán de Ocón)

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The Castor Kids Chair, by Karimoku. (Courtesy Nalata Nalata)

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“Black Girl on Skateboard Going Where She’s Got to Go to Do What She’s Got To Do and It Might Not Have Anything to Do With You, Ever” (2022), by vanessa german. (Courtesy vanessa german and Kasmin)

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A breathwork class at Frequency Mind. (Courtesy Frequency Mind)

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Ekosfere products

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Cover of “Nichetto Studio: Projects, Collaborations, and Conversations in Design”

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Sagmeister 123’s Progress Shirt and Opinion Coat. (Courtesy Sagmeister 123)

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Petit Pli clothing

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Ceramic vessels by Omar Sosa

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A patchwork tapestry by Megumi Shauna Arai.

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Cartier's Milan flagship store

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Sky High Farm Workwear’s recycled denim chore coat and double-knee pants. (Photo: ​​Ramie Ahmed)

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Slow’s Slow Jo 17 watch. (Courtesy Slow)

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“Signals” exhibition at Galerie Kreo

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China hammered and chased gold neck ornament, 4th to 3rd century B.C.E. Mengdiexuan Collection, Hong Kong. (Courtesy L’École, School of Jewelry Arts)

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Ecologist Carole Collet. (Photo: Misha Haller)

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Clothing from Patagonia’s ReCrafted collection. (Courtesy Patagonia)

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Vollebak’s Indestructible Puffer. (Courtesy Vollebak)

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Nuno textiles book

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Playfool's Forest Crayons

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Soft Baroque’s coffee table for Vaarnii. (Courtesy Vaarnii)

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A Letter from Mother Teresa, submitted to the Museum of Material Memory by Siddharth Sunder. (Courtesy Museum of Material Memory)

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Lord Jones CBD bath salts

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Man wearing a Sheltersuit

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Dior Spa Cheval Blanc Paris

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Saws, Planes, and Scorps by David Heim

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“Untitled” (2018–2019), by Kazunori Hamana and Yukiko Kuroda.

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Herman Miller’s Aeron chair in Onyx Ultra Matte

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Flos Parentesi lamp in Orange Signal and turquoise

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Elyn Zimmerman's 1993 World Trade Center bombing memorial

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Hand wearing Repossi Berbere ring

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Black denim fabric with pink cross stitches

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Cartier's Pixelage necklace

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Girl with pajamas looking at the ocean

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The Amant Foundation in Brooklyn.

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Two Grounded Packaging "stand up pouches" in black and white.

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Gold jewelry from Loren Teetelli’s Viking Trove collection.

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A holographic necklace with a yellow gem at the center

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The interior of Google's first retail store.

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A blue printed textile hung with aluminum wire in an art gallery.

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Entrepreneur Jaé Joseph

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A diamond necklace with large turquoise gems

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A view into an empty concrete interior with a revolving door at its center

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Two Cartier watches

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Author and potter Bonnie Kemske in her studio

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A white ceramic kettle on a white background.

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Decorated room screens and sculptures

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A navy blue watch on a desk next to a picture of the moon

Since ancient times, people have looked to the sun, moon, and stars to create a sense of rhythm and order in their livesLittle Lange 1 Moon Phase watch elevates the poetic movement with a copper-flecked, midnight-blue silver dial that shimmers like the night sky, a

A white ceramic lamp on a wood table.

Giancarlo Valle, a celebrated New York–based interiors and furniture designer with an artful, worldly eye informed by hiPlateau table lamp, created with self-taught Brooklyn ceramicist Natalie Weinberger, leans into that sensibility with a more craft-centere

A security officer wearing bright yellow and orange safety gear.

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The interior of Beverly's pop-up, with a large indigo textile and cookware hanging on a white wall.

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Three white, off-kilter sculptures on a white background.

Artist Eric Oglander gravitates toward materials that collapse time and space, and holds an unwavering faith in the powetihngs.com, and plans to open a brick-and-mortar shop of the same name in the Ridgewood neighborhood of Queens later this year). IP.E.,” is on view through May 15.

A large tray of compost heading into a white container surrounded by plants.

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Two Case containers with multicolored salads inside.

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Three stools in white, blue, and brown.

Because of its ubiquity, it’s tempting to describe Emeco’s iconic Navy Chair, designed in 1944, as basic. But that would

A wide-blade rip saw.

As the vaccine rollout continues, previously closed galleries and museums have, thankfully, continued to steadily reopenWhen Practice Becomes Form: Carpentry Tools from Japan,” on view through July 11, presents an ode to the tradition of Japanese architecture and handcraft. On display are an atōryō. The collection of beautiful saws, chisels, and planes demonstrate the ingenuity and resourcefulness of Japanese joiner

The black interior of Burnside Tokyo.

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Brown bowls on a dark yellow background.

East Fork imbues traditional clay tableware with a sense of delight, resulting in pieces that are instantly recognizable. The commonth)—while its expansion into the lifestyle realm, with online recipes and carefully culled pantry items, such as black gar Your products often immediately sell out. A few months ago, an article in the New York Post called your passionate fans the “new potheads.” What makes East Fork’s pieces so covetable?

An old sweater darned with purple thread.

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A kintsugi kit on a wooden table, next to several repaired plates.

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A textile in bright streaks of gold, blue, and red.

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Three white Dally soap dispensers on a concrete wall.

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Glen Adamson in a dark jacket and shirt, smiling at the camera.

Technology and industry often get much of the credit for fueling the United States’ development, but for curator, writerCraft: An American History (Bloomsbury), out next week, Adamson shows how skilled laborers shaped the nation, telling remarkable, often surprising

A pair of white denchers with gold and rose-gold grills.

Dental grills might seem like a latter-day invention, but they’re actually anything but. Decorative tooth accessories weRi Serax, whose outrageous embellishments are worn inside the mouths of rap and R&B artists including Jpegmafia, Princess Nokia,

Screens from the Kama app featuring suggestions and techniques.

The culture of wellness tends to focus on trends, like meditation hacks or CBD gummies. But a new app devotes itself to Kama turns to leading neuroscientists, psychologists, somatic therapists, and other experts to help us better our bedroom hasaid in an interview with Forbes that she sees the company as a response to a “sex and intimacy recession” that’s happening around the world. “Our body

Two wooden boxes, one with a clear top and one with a wooden top.

Wood boxes are something of a national treasure in Japan, where Buddhist monks began tucking stoles, prayer beads, and okiribako—boxes handcrafted from paulownia, a native tree with lightweight, durable, water-resistant timber—into the mainstream. Masuda Kiribako, which has been skillfully producing traditional receptacles since 1929.

Marbled black tondela vessels in a gallery.

Three years ago, French furniture and object designer Noé Duchaufour-Lawrance—whose clients include Baccarat, Bernhardt Made in Situ that champions the traditional crafts, techniques, and materials of the region through objects he designs and makes witsoenga. How did the idea for Made in Situ come about?